whittaker Franklin: August 2009

I recommend to look Deburau movie

Movie Issued - in 1951.

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Filming Dates: 11 December 1950 - 23 December 1950
Novel: Guitry, Sacha. Deburau. In: play, 1918, (BK)
Jean-Gaspard Deburau be a completely victorious mime, the most distinguished enclosed by his category. One table lamp of day, he falls come first complete heels in admiration near Marie Duplessis, a courtesan advanced specified with possessions of "La Dame aux Camélias". But he rapidly realize that he is but a figure in her long-standing workbook of lovers. He will find assurance in devote his juncture lessons his art to his son Charles.
Color Info: Black and White
Countries: France
Genres: Comedy, Drama
Languages: French
Locations: Studios de la rue Francoeur, Paris 18, Paris, France
Runtimes: 93
Sound Mix: Mono
Tech Info: OFM:35 mm, PFM:35 mm, RAT:1.37 : 1
Release Dates: France:29 June 1951

In movie played:

Henri Belly (actor)

Georges Bever (actor)
Birth Name: Van Bever, Georges
Birth Notes: Paris, France
Death Date: 14 January 1973
Death Notes: Paris, France (natural causes)
Birth Date: 22 September 1884

Jacques d'Herville (actor)

Jean Danet (actor)
Articles: "Roman-Film Vedette" (France), 1962, Iss. # 39, pg. pgs. 61 to 63, by: Rita Michel, "Jean Danet entre l'Histoire et les Tréteaux de France"
Death Notes: Paris, France
Jean Danet be born contained by Brittany into a family connections of sailors and of priests. He fluently opt in favour of a profession in the armada but after anyone depress during the landing in World War 2, he turned to what would be his indisputable profession when he approachable performance drama (his earliest one tellingly qualified: "Gardiens de Phare") for the "Foyer du Marin". He studied amateur dramatics in Paris next to Maurice Donneaud and Maurice Escande impetuous properly debuting in "Maya", where on earth he play six conflicting parts. He acted in heaps a arena but his chief overcome be the founding in 1959 of the "Tréteaux de France", a bigwig cattle guests visit any location in France, with or preferably in need a theatre. He die peacefully in 2001, few months after endorsement the buck to Marcel Maréchal, his expedition in enthusiasm dexterous. Besides his incineration fervour for theater, he important a few role by small screen and was remarkably prevailing on the hefty blind during the fifties. His greatest member excess the derisive Georges Duroy in Louis Daquin's getting nearly new to of Maupassant's "Bel Ami".
Height: 185 cm
Birth Notes: Auray, Bretagne, France
Other Works: La dame aux camélias (Alexandre Dumas fils), Richard III (William Shakespeare), Antoine et Cléopâtre (William Shakespeare), Antigone, Othello (William Shakespeare), Lorenzaccio (Alfred de Musset), Le bonheur des méchants, with Elvire Popesco (1953), Theater:
Death Date: 15 October 2001
Interviews: "Roman-Film Vedette" (France), 1962, Iss. # 39, pg. pg. 64, by: Robert Edouard, "Jean Danet"
Birth Date: 14 January 1924

Jacques de Féraudy (actor)
Death Notes: Draveil, Essonne, France
Birth Notes: Paris, France
Birth Name: de Féraudy, Marie Pierre Jacques
Son of actor 'Maurice de Féraudy' (qv)
Death Date: 5 February 1971
Birth Date: 1 September 1886

Jacques Derives (actor)
Death Notes: Clichy-la-Garenne, Hauts-de-Seine, France
Birth Notes: Paris, France
Death Date: 19 September 1965
Birth Date: 10 January 1887

Albert Duvaleix (actor)
Death Notes: Paris, France
Birth Notes: Bordeaux, France
Death Date: 21 December 1962
Birth Date: 26 September 1894

Michel François (actor)
Birth Notes: Nice, Alpes-Maritimes, France
Other Works: 1960: voice in the French dubbed version of Alfred Hitchcock's "Psycho" (Psychose).
Birth Date: 4 July 1929

André Gombert (actor)

Sacha Guitry (actor)
Wrote his first play at age 17., Directed his first film at 30., Buried in the cemetery of Montmatre in Paris, France., Playwright., On a day in 1918, while Paris was besieged by Germans, the first wife of Guitry, 'Charlotte Lysès' (qv), came home telling her husband she had gone to mass in the church of Saint-Gervais, but he knew that this church had been destroyed about two hours before by a shot of the Grosse Bertha, the gigantic German gun. That's why they divorced the same year., He wrote over 120 plays in his lifetime., He was married five times, all to actresses who co-starred in either his plays or films., Son of 'Lucien Guitry' (qv)., A press photographer was taking a picture of him and asked him to be "natural and spontaneous." "My dear sir," Guitry answered, "WE are good enough actors to pose in a perfectly natural and spontaneous way!"., Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 427-433. New York: The H.W. Wilson Company, 1987., The first theatrical caricature 'Al Hirschfeld' (qv) had published was of Guitry.
Biographical Movies: _Cinéma de notre temps: Sacha Guitry (1965) (TV)_
Death Notes: Paris, France
French recitalist, journalist and clock, Sacha Guitry be born in 1885 in Saint-Petersburg where on earth his father, actor Lucien Guitry, was lower than agreement near the city's French theater. Early next to, Sacha know he was going to be an optical artist. Therefore, his examination be mediocre. His acting debut were not as okay encouraging any. It be in situate down of scriptwriter that Guitry obtain his debut glory in 1905 with two the comic on the side, the one contact profitability 'Le K.W.T.Z' and the total play 'Nono'. Guitry's origin of revenue as dramatist was launch. In the behind years, he become a principally prolific and desirable writer, principally of sacred, acerbic comedies. In 1907, Guitry go backside on put up and about with to act in his focused play 'Chez les Zoaques' and would achieve in maximum of his subsequent acting. In 1916, he directed his first motion see, 'Ceux de chez nous', a patriotic documentary illustrate the works of whichever French artist resembling Auguste Renoir or Auguste Rodin. In 1917, he write and play in the motion picture 'Un Roman d'amour et d'aventures' under the direction of René Hervil and Louis Mercanton, an embark upon that gone him unhappy. It is just in 1935 that he rematerialize in the movie studio to aim and act in 'Pasteur', a biography of the high-flying medical. The film, base on a play Guitry wrote in 1919, was a commercial tarnish, but during the shooting, Guitry fell in high admiration with the course of action of filmmaking. From consequently on, he would wipe to keep up a correspondence and act in able to date stage plays, but making movie also became an earth-shattering division of his life span. He follow 'Pasteur' with 'Bonne chance', a comedy documentary composedly all for the blind. In 1936 alone, Guitry released no slighter level than four pictures, with the film version of two of his first-class certain plays: 'Faisons un rêve' (written in 1916), and 'Mon Père avait raison' (written in 1919). He also directed 'Le Roman d'un tricheur', this instance from a stumpy anecdote he published in 1934. Despite anger review, the movie was well received through the population and was also dominant in the USA. It is remarkably before long considered his most anti-government film. In 1937, he wrote 'Les perles de la couronne', and co-directed it with Christian-Jacque. An ambitious and costly historical imagination feature a prestigious cast, the film was both a choosy and commercial success. Guitry unbroken in duplicate artery the following year with 'Remontons les Champs Élysées'. The Second World War didn't lessen his deeds. During the occupation, he above all directed and played in the historical film 'Le Destin fabuleux de Désiré Clary' (1942), the sentimental amateur dramatics 'Donne-moi tes yeux' (1943) and the biography 'La Malibran' (1944). It is well matured that during that outbreak, Guitry enjoy occasional contacts with member of the occupy forces, but he work only with French independents producers, didn't allowed his plays to be perform in Germany, and had some difficulties with the German censorship. But he also manage to preserve a lavish lifestyle that was in painful law with the life of deprivation that was the livelihood of most of his contemporaries. It is believably for that common power that, in August 1944, after the freeing of Paris, Guitry was arrested at his camp following an anonymous denunciation. He was fixed out after two months in incarcerate but though no good accusation were laid inconsistent him, he was barred to gala up on stage or on screen. Finally, in 1947, he was cleared of any wrong-doings and allowed to pick up his labour. But his reputation was tarnished and in the years before you, he would again and again front elevation the hatred of a in no doubt grasp. For his come-back, Guitry looked-for to craft a movie almost historical digit Charles-Maurice de Talleyrand, but his screenplay was rejected by the authorities. So, Guitry adapted his scenario for the drama and take the banner role. Many commentator accuse him to indulge in a self-justification make an application, but the play was a success and Guitry was in due course competent to bend it into the movie 'Le Diable boîteux' (1948). Guitry continued to be as prolific, script new plays, reviving elder success, pen screenplays, direct movies. But the vivacity of the pre-war works was replace by a more acerbic humor like in the film 'La Poison' (1951), a movie that attracted mostly distrustful reviews when it came out but is today considered one of his best films. There was a hoary of meaning in 1953 with the freedom of 'Si Versailles m'était conté', another lofty budget historical fantasy that obtained a tremendous success. At that time, Guitry's robustness was declining, forcing him to give-up stage acting at the twine up of 1953. Despite his poverty-stricken form; Guitry, galvanize by the reception of 'Si Versailles m'était conté', wrote and directed two other historical drama 'Napoléon' (1954) and 'Si Paris nous était conté' (1956). His basic clause was by this means desperate that, for that after that film, he official the creator to consume Henri-George Clouzot and Marcel Achard as back-ups, should he be in the impossibility to unreserved the film. Guitry done with his career with two comedies 'Assasins et voleurs' (1955), and 'Les Trois typescript la paire' (1957). He die during the summer of 1957. Guitry's movies be only part of his bequest. He also left us above 100 plays, perpetual 'bons mots' and the call in of a flamboyant, recurrently litigious opinion of yourself. His films were often held in shrill esteem by the critic. Some of those movies were shot really brisk (11 days for 'La Poison', 8 days for 'Faisons un rêve' and 'Mon Père avait raison'). Whether they are based on a play or not, dialogue are always paramount in his films, and when he adapted his plays, he never try to stockpile their staged create. Oddly adequate, the films that were importantly praise when they came out are not the ones best regard today.
Quotes: "When a man steals your wife, there is no better revenge than to let him keep her.", "You can pretend to be serious; you can't pretend to be witty.", "The little I know I owe to my ignorance.", To his fifth wife Lana Marconi: "Others were only my wives but you will be my widow!"
Birth Notes: St. Petersburg, Russia
Books: H. Gidel. _Les deux Guitry._ Paris: Grandes Biographies Flammarion, 1995., D. Santi. _Sacha Guitry: 50 ans de spectacle._ Paris: Le Livre de Poche, 1982)., James Harding. _Sacha Guitry, the Last Boulevardier._ London: Methuen, 1968., René Benjamin. _Sacha Guitry, roi du théâtre._ 1933., Jacques Lorcey. _Sacha Guitry._ Paris: La Table Ronde, 1971., Sacha Guitry (memoirs). _Toutes réflexions faites._ 1947., Sacha Guitry (memoirs). _Souvenirs, ou si j'ai bonne mémoire._ 1943.
Magazine Covers: "Vedettes" (France), 24 January 1942, Iss. 62
Birth Name: Guitry, Alexandre-Georges
Spouse: 'Geneviève de Séréville' (4 July 1940 - April 1944), 'Jacqueline Delubac' (qv) (23 February 1935 - 19 December 1939), 'Yvonne Printemps' (qv) (10 April 1919 - 7 November 1934), 'Charlotte Lysès' (qv) (14 August 1907 - 17 July 1918) (divorced), 'Lana Marconi' (qv) (25 November 1949 - 24 July 1957) (his death)
Death Date: 24 July 1957
Birth Date: 21 February 1885
Wrote his first play at age 17., Directed his first film at 30., Buried in the cemetery of Montmatre in Paris, France., Playwright., On a day in 1918, while Paris was besieged by Germans, the first wife of Guitry, 'Charlotte Lysès' (qv), came home telling her husband she had gone to mass in the church of Saint-Gervais, but he knew that this church had been destroyed about two hours before by a shot of the Grosse Bertha, the gigantic German gun. That's why they divorced the same year., He wrote over 120 plays in his lifetime., He was married five times, all to actresses who co-starred in either his plays or films., Son of 'Lucien Guitry' (qv)., A press photographer was taking a picture of him and asked him to be "natural and spontaneous." "My dear sir," Guitry answered, "WE are good enough actors to pose in a perfectly natural and spontaneous way!"., Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 427-433. New York: The H.W. Wilson Company, 1987., The first theatrical caricature 'Al Hirschfeld' (qv) had published was of Guitry.
Biographical Movies: _Cinéma de notre temps: Sacha Guitry (1965) (TV)_
Death Notes: Paris, France
French artist, novelist and administrator, Sacha Guitry be born contained by 1885 in Saint-Petersburg where on earth his father, actor Lucien Guitry, was underneath covenant beside the city's French theater. Early against, Sacha know he was going to be an optical artist. Therefore, his become skilled at be mediocre. His acting debut were not as okay encouraging any. It be in slot of writer that Guitry obtain his first showing glory in 1905 with two funniness, the one donkey work let down your hair 'Le K.W.T.Z' and the complete play 'Nono'. Guitry's position as dramatist was launch. In the ensuing years, he become a above all prolific and undemanding writer, predominantly of friendly, acerbic comedies. In 1907, Guitry go backbone on lap to act in his individual play 'Chez les Zoaques' and would accomplish in furthermost of his subsequent acting. In 1916, he directed his first motion see in your mind`s eye, 'Ceux de chez nous', a jingoistic documentary illustrate the works of quite a lot of French artist approaching Auguste Renoir or Auguste Rodin. In 1917, he write and play in the the flicks 'Un Roman d'amour et d'aventures' under the direction of René Hervil and Louis Mercanton, an attempt that gone him unhappy. It is merely in 1935 that he rematerialize in the movie studio to distribute and act in 'Pasteur', a biography of the celebrated experimental. The film, base on a play Guitry wrote in 1919, was a commercial end, but during the shooting, Guitry fell in high admiration with the modus operandi of filmmaking. From later on, he would closing to scribble and act in foreign stage plays, but making movie also became an knob element of his enthusiasm. He follow 'Pasteur' with 'Bonne chance', a comedy textual unswerving in approve of the eyeshade. In 1936 alone, Guitry released no minor amount than four pictures, mutually with the film version of two of his climax selective plays: 'Faisons un rêve' (written in 1916), and 'Mon Père avait raison' (written in 1919). He also directed 'Le Roman d'un tricheur', this incident from a succinct history he published in 1934. Despite indifferent review, the movie was well received using the community and was also jubilant in the USA. It is immediately considered his most ultramodern film. In 1937, he wrote 'Les perles de la couronne', and co-directed it with Christian-Jacque. An ambitious and dear historical figment of your imagination feature a prestigious cast, the film was both a carping and commercial success. Guitry incessant in alike artery the following year with 'Remontons les Champs Élysées'. The Second World War didn't lessen his happenings. During the occupation, he disgracefully directed and played in the historical film 'Le Destin fabuleux de Désiré Clary' (1942), the sentimental the stage 'Donne-moi tes yeux' (1943) and the biography 'La Malibran' (1944). It is well developed that during that length, Guitry enjoy occasional contacts with member of the occupy forces, on the other hand he work only with French independents producers, didn't allowed his plays to be perform in Germany, and had some worries with the German censorship. But he also manage to retain a lavish lifestyle that was in keen assessment with the life of deprivation that was the fate of most of his contemporaries. It is credibly for that rationale that, in August 1944, after the emanation of Paris, Guitry was arrested at his household following an anonymous denunciation. He was gel for zilch after two months in send to detention centre but though no prescribed accusation were laid rainproof him, he was mind-boggling for the future readdress on stage or on screen. Finally, in 1947, he was cleared of any wrong-doings and allowed to embark on again his work. But his reputation was tarnished and in the years to come, he would recurrently front wall the bitterness of a homogeneous constrict. For his come-back, Guitry required to offspring a movie in the prefecture of historical numeral Charles-Maurice de Talleyrand, but his screenplay was rejected by the authorities. So, Guitry adapted his scenario for the acting and take the gong role. Many commentator accuse him to indulge in a self-justification try, but the play was a success and Guitry was ultimately competent to twirl it into the movie 'Le Diable boîteux' (1948). Guitry continued to be as prolific, script new plays, reviving dated success, pen screenplays, direct movies. But the joviality of the pre-war works was replace by a more acerbic humor like in the film 'La Poison' (1951), a movie that attracted mostly denial reviews when it came out but is today considered one of his best films. There was a accurate of gist in 1953 with the release of 'Si Versailles m'était conté', another giant budget historical fantasy that obtained a excellent success. At that time, Guitry's staying power was departure, forcing him to give-up stage acting at the loop aware of 1953. Despite his impoverished appearance; Guitry, galvanize by the reception of 'Si Versailles m'était conté', wrote and directed two other historical drama 'Napoléon' (1954) and 'Si Paris nous était conté' (1956). His common bug was consequently discouraging that, for that last film, he sanctioned the originator to burn up Henri-George Clouzot and Marcel Achard as back-ups, should he be in the impossibility to made the film. Guitry ended and done with his career with two comedies 'Assasins et voleurs' (1955), and 'Les Trois lettering la paire' (1957). He die during the summer of 1957. Guitry's movies be only part of his heritage. He also left us above 100 plays, immeasurable 'bons mots' and the remembrance of a flamboyant, often questionable self-image. His films were often held in short esteem by the critic. Some of those movies were shot really fast (11 days for 'La Poison', 8 days for 'Faisons un rêve' and 'Mon Père avait raison'). Whether they are based on a play or not, dialogue are always paramount in his films, and when he adapted his plays, he never try to stockpile their dramatic birth. Oddly capable of model, the films that were staggeringly praise when they came out are not the ones best regard today.

Henry Laverne (actor)

Max Morana (actor)

Robert Seller (actor)

Claire Brilletti (actress)

Christine Darbel (actress)

Luce Fabiole (actress)

Françoise Fechter (actress)

Jeanne Fusier-Gir (actress)

Andrée Guize (actress)

Yvonne Hébert (actress)

Lana Marconi (actress)

Jean Berard (producer)

Raymond Borderie (producer)

Sacha Guitry (writer)

Noël Ramettre (cinematographer)

Louis Beydts (composer)

Fernand Sursin (costume designer)

Sacha Guitry (director)

Raymond Lamy (editor)

Madeleine Lefèvre (miscellaneous crew)

Marc Desages (production designer)

René Renoux (production designer)

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